- ✴︎ Journalism & publications
- ✴︎ Activism
- ✴︎ Interventions, teaching…
JOURNALISM
2023: Research on cosmopolitan megacities, Ocho (Montréal), Producer: DANIELA MUJICA.
2023: Feminicide of elderly women, Gédéon production. Producer: Fanny Glissant
2022: Documentary research for a feature-length fiction film on exile, Yzanakio (Montréal), producer: Eric Idriss Kanago.
2015-16: Fashion to the death, by Inge Altemeier, Arte Germany / NDR.
2013: The false promise of clean energy, by Steffen Weber, Arte Germany / WDR. Clean money from polluted air, by Inge Altemeier, Arte Germany / WDR.
2012: Oil companies, enemies of the climate, by Inge Altemeier, Arte Germany / WDR.
2011: Poison in our clothes, by Inge Altemeier, Arte Germany / WDR.
2010: Packaging that kills, by Inge Altemeier, Arte Germany / WDR.
History of the French secret services, by David Korn-Brzoza, France 2 / Program33.
2009: The green washing mensonge vert, by Inge Altemeier, Arte Germany / WDR.
2008: Welcome to women’s real lives, by Virginie Lovisone, Canal+ / Program33.
2007: France, the novel of the 50s, by Alain Moreau, France 2 / Program33.
2006: The Finaly case, by Alain Moreau, Noël Mamère & David Korn-Brzoza, France 2 / Program33.
2005: Minute Men, the border militia by Agnès Gattegno, Canal+ / Program33.
GI’s: the hidden face of the liberators, by Alain Moreau, France 3 / Program33.
The Republic’s invisible brothers, by Alain Moreau, France3 / Program33.
2000: Head of the culture desk at LCA ( La Chaîne Africaine) on TPS
1999: Trainee then freelancer at Le Monde newspaper (culture desk) & at RFI (Africa desk).
Trainee at France Inter (Rue des entrepreneurs, Didier ADES & Dominique Dambert)
1997 – 1999: Journalist, presenter and reporter at Sud FM & Radio Nostalgie (Dakar).
Editor-in-chief of the weekly film programme Le Clap
PROJECT EXPERTISE (FICTION AND DOCUMENTARIES) / TEACHING
2023 till 2025 (3-year contract) : Initial artistic assessment and rewriting/development consultancy, Programme CLAP ACP-UE / Organisation Internationale de la Francophonie.
June – July 2023: Writing consultant for Assia Tamerdjent with the Cité Internationale des Arts
2023: Organisation of Souleymane Cisse’s Carrosse d’Or and moderation of the masterclass (with Hamedine Kane & Philippe Faucon) for SRF, Quinzaine des Cinéastes, Cannes.
May 2023: Video art workshop with 15 young Congolese artists — Institut Français de Kinshasa
2022 – 2023: Jury CRESS/EHESS
2022: Jury FCAT Tarifa 19th edition (with Lemohang Jeremiah Mosese & Carlos Reviriego)
2014 – 2021: Commission CNC, Aide Cinémas du Monde
2019 – 2020: Commission OIF image de la Francophonie : Ouaga film Lab & Final cut Venise
2019: Mostra de Venise. Final Cut Jury (international support for feature film post-production) for OIF
2018 – 19: Selection of 2nd year student documentary projects – CinéFabrique – Lyon
2017-19: Documentary writing: 27h and 49h seminars, 2nd year Screenwriting section,C.L.C.F. (Paris)
2017: Documentary Theory and Practice – Professor at the International Department of Cinematography – Beijing Film Academy (Beijing National Film School), China.
2016: Documentary Fundamentals: 1st year Scriptwriting Section C.L.C.F. (Paris) Écriture documentaire : Séminaire de 36 heures, 3ème année Section scénario C.L.C.F. (Paris)
2015: Script Doctoring for various production companies (Back Up films, YellowMoon films, Deviant films, Jean-Stéphane Sauvaire, Guy Nattiv…)
Analysis and support for dozens of projects (fiction and documentaries), particularly on the African continent.
INTERVENTIONS
Festival « Bruits de langues » (University of Poitiers). Round table discussion « “National Identity” and immigration law » (1h30) with Théo Martineaud. Guests : Nicolas Ferran, director of Les Amoureux au ban public (Lovers in the public eye) (2011), & Valérie Osouf, director of Nationale Identity (2012).
Cinémathèque Française: conference on the economy of African cinema
Maison du Geste et de l’Image: avec l’écrivain Arno Bertina, intervention on the ethics of filming minorities
Université Paris 7 & Paris 8 : refugee colloquium
26 mai 2016 – Mediapart Evening at Théâtre de la Ville
11 oct. 2017 : Non-Place of the Exile seminar (EHESS)
Since June 2015, following on from my previous films (No comment: the country where you never get there and National Identity), I have joined groups fighting for freedom of movement and installation and have also been involved, through the SRF, in the occupation of the Théâtre de l’Odéon and against the Global Security Act.
PERSONAL TEXTS
Les mots sont importants
https://lmsi.net/Imaginez-un-pays
Lundi matin
https://lundi.am/La-rue-ou-rien
Terra Nova
https://tnova.fr/societe/justice-securite/pour-labrogation-de-la-double-peine/
Afrikaada #8
ARTICLES ON STRUGGLES IN WHICH I AM INVOLVED
https://stoploisecuriteglobale.fr/
https://reporterre.net/Les-occupants-du-theatre-de-l-Odeon-se-battent-pour-tous-les-precaires
https://www.liberation.fr/france/2020/11/11/police-partout-images-nulle-part_1805319/
https://www.liberation.fr/debats/2019/06/12/soudan-rompre-le-silence_1733285/
https://www.liberation.fr/debats/2018/02/05/migrants-la-france-et-l-europe-complices_1627540/
https://www.liberation.fr/societe/2015/08/20/les-engages-de-paris-a-calais_1366675/
https://www.liberation.fr/societe/2015/08/03/au-lycee-jean-quarre-les-migrants-s-installent_1358311/
PRESS
Cameroon, Autopsy of an Independence
National Identity
https://lidentitenationalelefilm.wordpress.com/
https://corporate.dw.com/fr/lidentit%C3%A9-nationale/a-16809015
https://gulfnews.com/entertainment/arts-culture/holding-your-ground-in-a-sea-of-diversity-1.1111638
Sissako, Beyond Territories
https://www.lemonde.fr/afrique/article/2
MENTIONS IN SCIENTIFIC PUBLICATIONS
Abdoul Sow, Mamadou Racine Sy, premier capitaine noir des tirailleurs sénégalais (1838-1902), par Nicolas Courtin
The shadow of Kamerun: a question of legitimacy, by Mbeleck Mandenge
Arte journal : análise de telejornal by Rangel, Julia Assunção
ABDERRAHMANE SİSSAKO SİNEMASININ ULUSÖTESİ SİNEMA BAĞLAMINDA İNCELENMESİ, by Muzaffer Musab Yılmaz
Les barrières pour la mise en oeuvre des concessions forestières en Amerique du Sud: les cas de Bolivia et Brésil, by Isa Garcia Drigo
Fictions of African Dictatorship, by Charlotte Baker & Hannah Grayson
L’UPC en France, Un chapitre de la lutte upéciste pour l’indépendance au Cameroun, by Anne Karin Hofseth
Polyphonie et identité du roman africain dit de la rupture. Discours paternaliste et hétérogénéité constitutive de quatre romans de Bolya Baenga, Calixthe Beyala et Ahmadou Kourouma, by Amvene, Jean Désiré Banga
André DJIFFAC K (dir.) (2007). Mongo Beti, Le Rebelle II, by Tchumkam, Hervé
La politique des réfugié-e-s. Échos de La Chapelle en Lutte, juin-juillet 2015 by Nicolas Jaoul
Indépendances inachevées et assistanat sécuritaire en Afrique : Cas de la lutte contre le terrorisme dans les sous-régions ouest et centre africaines by Charles BIDIME EPOPA
Staat, Sicherheit und Gewalt in Kamerun by Maria Ketzmerick
The Image of Sékou Touré by Angie Epifano
Cameroun, images d’une histoire sans images, by Philippe Niorthe
Projet de loi sur l’asile et l’immigration : indignation morale versus cynisme gouvernemental ? by Vincent Geisser
L’EXPULSION DES ÉTRANGERS EN FRANCE, EN SUISSE ET EN TURQUIE Pour une sociologie comparative de l’expulsion des étrangers by Ibrahim Soysüren
Saving Bruce Lee_African and arab Filmmakers trained in USSR by Gabrielle Chomentowski
La justice est un combat: Justice internationale by Juan Branco
IN DOCUMENTARIES
2019 — Paris Stalingrad, Feature film of Hind Meddeb
2021 — Un Paris d’Exil, Feature film of Assanatou Balde